The Wages, An Illustrated Story | 23. Songs and Parables | ’90s Band Portrait


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A mostly black-and-white line drawing of Brandy and her band standing in a row, with their first names and musical jobs written in text next to them. At left is an abstract border of a green and blue smear of paint. The figures from left to right are - Crystal. Drums. Crystal is a woman aged 42 with long straight blond hair with bangs that fall to the side as she tilts her head. She has a black hairband tied in a large bow above her head. Her hairband is far back so that some of her hair still frames her heart-shaped face. She has a long narrow nose and dark eyes. Crystal is wearing a white long-sleeved boat-neck top with a small bow and a dark cinch around her waist. She has a long white skirt, and white flat-heeled boots. Crystal is standing with her hands behind her hips. She has a concerned expression while she looks toward Brandy and Joanne. Brandy. Voice, guitar, banjo. Brandy is a woman aged 41 with long straight black hair in a side part with no bangs, cut in the ‘90s “Rachel” style. She has a heart-shaped face like her sister’s but with a smaller nose and chin, and bright eyes. Brandy is wearing an oxford shirt open over a T shirt that says, “Rose Garden” and has red roses on it. She is wearing large earrings that are dangling at an angle and divided into four, and a cross pendant. She has on dark flared trousers and chunky-heeled boots. Brandy leans back with her right foot raised as if leaning on a wall and looks back at the viewer with tired resignation. Brandy has her left arm around Joanne at the hip and is standing nestled close to her. Joanne. Bass. Harmony voice. Joanne is younger than Brandy and has more of a Gen-X style. Her blonde hair is cut short in a boyish quiff. She has pale eyes. She has three piercings in each ear with small rings. She is wearing a crop-sleeved western shirt with six red roses at her shoulders. She is wearing tight jeans with a slight flare, with Converse sneakers, and a belt with a bull on the buckle. Joanne looks ahead with a reserved cool. Her right arm crosses her body to clasp her left elbow, and her wrists are circled with many star tattoos. Tommy. Fiddle. Mandolin. Harmony voice. Tommy is so much taller than the three small women he is standing next to that the top of his head is out of the frame. Tommy has a narrow face, with light eyes, and short dark hair swept to the side. He looks back at the viewer with an inscrutable blank expression. He is wearing a black shirt, black pants, and black boots, with a white bolo tie. His legs are together so that his body forms a black column with broad shoulders, with his hands clasped in front of him as if floating in the darkness. Dwight. Pedal steel. Dwight is an older man who is shorter than Tommy. Dwight has a square face with a bleary look, with lines beneath his pale eyes. He has a scruffy dark beard and tousled dark hair, and he is wearing a rumpled cowboy fedora. Dwight has a stocky build. He has on a work shirt rolled up at the elbows, loose flared jeans, and round-toed boots. Dwight is looking down and to the right, as if distracted by something. The last text in brackets reads: Absent. Jerome. Lead guitar. Harmony voice. End of description.

So now we had to do a concert without a lead guitar.

I was disappointed, but I was confident in my ability to fill the rhythm guitar, and let the fiddle and pedal steel take the solos. I might even throw off my banjo and acoustic guitar and clang around on my Telecaster once or twice.

At last we arrived.

“OK get moving everybody,” I said, “We don’t have until the night to sort ourselves out. We’re up first.”

Crystal got everybody out except Joanne who lingered behind me.

As we were stepping off the bus, Joanne stretched her arms beside me and said to me “It’s because of me that you keep losing musicians.”

“Huh? I don’t see that,” I said, blinking at her in the sun and pushing my hands into the weary back of my neck. “What do you mean?”

“It’s hard on the other musicians because of our relationship,” she scrunched up the corners of her mouth. “For them it’s like working somewhere where the boss is fucking one of the staff.”

“What? Why would you say that? I don’t see it that way,” I said, feeling my brow furrow.

“I overheard Jerome say exactly that to the other men not long ago, and now he quit. I think that’s why you lost Lloyd on the fiddle in the winter and had to replace him, too.”

“Wait. Jerome actually said that before he quit?”

“I heard it. I don’t think he meant me to. They laughed too. I think it’s a strain on the other musicians in your band.”

“I don’t think Crystal feels that way,” I said.

“Crystal is your sister. It makes for a pretty closed club if you have your sister and your girlfriend in the band. I think they feel like they are more cut off from you than I am, because I am always getting it on with you.”

“Oh Joanne, even if it were true, which I doubt, it’s their problem, not yours, okay? It’s my thing to fix.” I said.

“That’s nice, but you’re talking to me like a boss would. Not a lover.”

I was a little irritated, but I felt bad for her and said, “I’m sorry. I’m sorry. I know it’s hard. It’s a crazy life we all live.”

I stood close to Joanne for a moment, and I touched her face with my hand, and looked into her eyes, but she still looked dejected, squinting into the afternoon light, hiding the sweet blue behind her scrunched-up eyelids.

“I forgot my sunglasses. I’ll catch up in a minute,” Joanne said. She looked gloomy as she stepped back on the bus, and I slumped in disappointment and turned and headed for the bandshell.


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